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Prints
Printmaking is used as a way to transform drawings; there is a consistent play between transitory, quick drawings, often from observation, and measured, considered printmaking.To My Love [≤A5 photopolymer etchings] 2025
Rushdie and Melchor; Metamorphosis [photopolymer etching] 2025
Observational Etchings [intaglio] 2021/22
Zoophytes [cyanotype] 2020 ongoing
Collaborative Etching [intaglio etching, collaboration with Connie Ashford] 2022
A Dog’s Ear [various] 2022
Film: Drawing -> Printing [various] 2023 ongoing
Toni Morrison Mouth Full of Blood Promotional Film [collaborative collagraph animation] 2020
Rushdie and Melchor; Metamorphosis [photopolymer etching] 2025
Observational Etchings [intaglio] 2021/22
Zoophytes [cyanotype] 2020 ongoing
Collaborative Etching [intaglio etching, collaboration with Connie Ashford] 2022
A Dog’s Ear [various] 2022
Film: Drawing -> Printing [various] 2023 ongoing
Toni Morrison Mouth Full of Blood Promotional Film [collaborative collagraph animation] 2020
Rushdie and Melchor; Metamorphosis
[photopolymer etching]
2025
[photopolymer etching]
2025
Inspired by The Satanic Verses and Hurricane Season, this series explores transformation through fragmented, dreamlike creatures. Combining spontaneous collage with traditional printmaking, the works embrace fluidity and play—blurring the line between the imagined and the real
To My Love
[≤A5 photopolymer etchings]
2025
[≤A5 photopolymer etchings]
2025
A series of etchings that subvert traditional romantic and kitsch Valentine’s imagery through collage and combined animal forms. Familiar, cutesified symbols are distorted to explore themes of transformation, desire, and the uncanny
One Day We’ll Move Back To The Sea [A1 print] 2022
Observational Etchings
[intaglio]
2022
Etching from observation on pre-prepared plates is a process enjoyed for its contradiction; where fleeting moments become permanent incisions.
[intaglio]
2022
Etching from observation on pre-prepared plates is a process enjoyed for its contradiction; where fleeting moments become permanent incisions.
Girls watching television
Sunbathers
Holiday diptych
Bookbinders
Zoophytes
[cyanotypes] 2023
A series of cyanotypes using collages from archive images and found elements.
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Collaborative Etchings
[intaglio etchings, collaboration with Connie Ashford]
2022
Generated by switching plates back and forth, three creatures are created. An exercise in loosening control and playing with the expectations of the traditional etching process.
[cyanotypes] 2023
A series of cyanotypes using collages from archive images and found elements.
[intaglio etchings, collaboration with Connie Ashford]
2022
Generated by switching plates back and forth, three creatures are created. An exercise in loosening control and playing with the expectations of the traditional etching process.
A Dog’s Ear
[intaglio etching/letterpress/monotype/cyanotype]
2022
A Dog’s Ear seeks to expand what it means to illustrate the written word. Culminating in a printed book, various print techniques were used throughout to realise the ‘dog’s ears’ of the books read in the previous year.
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‘it took a day to dismantle Lily’s existence’ [six plate intaglio etching]
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[intaglio etching/letterpress/monotype/cyanotype]
2022
A Dog’s Ear seeks to expand what it means to illustrate the written word. Culminating in a printed book, various print techniques were used throughout to realise the ‘dog’s ears’ of the books read in the previous year.
‘it took a day to dismantle Lily’s existence’ [six plate intaglio etching]
‘if you eat fish in a dream, does it count? Does it mean you’ve eaten fish?’
[cyanotype animation]
[cyanotype animation]
‘happy one moment and the next like crying’
[letterpress series]
[letterpress series]
‘the terrible fanged open mouth of the sea dragon’
[hand-painted monotype]
[hand-painted monotype]
‘I forced a smile / to this day, I find it hard to gaze directly at people like Hassan, people who mean
every word they say’
[intaglio etchings]
[intaglio etchings]
‘she transformed into something else: a lizard or a
rabbit, which scurried away and took cover in the heart of the bush’
[photo-polymer etching]
[photo-polymer etching]
Film: Drawing -> Printing
[various]
2023 ongoing
A continual practice, of graphic recording whilst watching films, is reimagined through the use of printmaking. Echoing the sentiment of A Dog’s Ear, the work seeks to investigate what it means to ‘illustrate’ popular texts.
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Melancholia, Lars Von Trier [monotype]
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Babylon, Damien Chazelle [monotype]
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Shiva Baby, Emma Seligman [pastel in sketchbook]
[various]
2023 ongoing
A continual practice, of graphic recording whilst watching films, is reimagined through the use of printmaking. Echoing the sentiment of A Dog’s Ear, the work seeks to investigate what it means to ‘illustrate’ popular texts.
Melancholia, Lars Von Trier [monotype]
Babylon, Damien Chazelle [monotype]
Shiva Baby, Emma Seligman [pastel in sketchbook]
Blonde, Andrew Dominik [carbon paper in sketchbook]
Blonde, Andrew Dominik [monotype]
Banshees of Inisherin, Mark McDonagh [carborundum etching]
Banshees of Inisherin,
Mark McDonagh [monotype]
Toni Morrison Mouth Full of Blood Promotional Film
[collaborative collagraph animation]
Collaboration with Cicely Pilkington, Madeleine Desalu and Rebecca Knight
2020
Stop frame animation of collagraph print. As part of a live brief for Vintage Publishing to make a promotional film based on Toni Morrison’s Mouth Full of Blood, a group of four of us made the above 30 second promotional film.
[collaborative collagraph animation]
Collaboration with Cicely Pilkington, Madeleine Desalu and Rebecca Knight
2020
Stop frame animation of collagraph print. As part of a live brief for Vintage Publishing to make a promotional film based on Toni Morrison’s Mouth Full of Blood, a group of four of us made the above 30 second promotional film.
